Argumento de Cubismo y Guerra: el Cristal en la Llama
This book explores the work of artists who attempted to keep alive the expanded possibilities opened up for the arts of painting and sculpture by what was called Cubism in Paris between 1911 and 1914. This little community of artists refused to accept that recording the war or producing propaganda was their duty. They refused to forget the excitement of 1911-14, and kept faith in their independence as individuals as this war of machines threatened to rob every front-line soldier of his humanity and to draw even foreigners in France into ?total war?.
The vast majority of fit young Frenchmen were mobilized, so those artists left behind in Paris were either foreign or too old or unfit for combat. Pablo Picasso, then called the inventor of Cubism, remained a leading figure, alongside his fellow Spaniards Juan Gris and María Blanchard, the Mexican Diego Rivera, the Italian Gino Severini, and the Lithuanian sculptor Jacques Lipchitz.
Christopher Green is Professor Emeritus of the History of Art at the Courtauld Institute of Art, London. Among his recent publications is Picasso: Architecture and Vertigo (New Haven and London, 2005).0
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