The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from "Against Theory" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe.
With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe different things) with identitarian difference (we speak different languages, we have different bodies and different histories) organizes the thinking of writers from Richard Rorty to Octavia Butler to Samuel Huntington to Kathy Acker. He then examines how this shift produces the narrative logic of texts ranging from Toni Morrison's Beloved to Michael Hardt and Toni Negri's Empire. As with everything Michaels writes, The Shape of the Signifier is sure to leave controversy and debate in its wake.
"[W]hat makes this book compelling . . . is his central thesis: that the apparent diversity of the marketplace of ideas, as in the marketplace of commodities, conceals fundamental uniformity (so many choices in the cereal aisle, so few in the voting booth)."--Robin J. Sowards, The Minnesota Review
Introduction: The Blank Page 1
One: Posthistoricism 19
The End of History 19
Political Science Fictions 26
Partez au vert/Go on the green 41
The Shape of the Signifier 51
The End of Theory 66
Two: Prehistoricism 82
rocks 82
and stones 105
and trees 118
Three: Historicism 129
Remembering 129
Reliving 140
Dismembering 149
Forgetting 158
Coda: Empires of the Senseless 169
Notes 183
Index 213