"This important book has implications for a far wider account of cultural exchange than Tennenhouse himself focuses on here. . . . The Importance of Feeling English encourages additional consideration about the relationships among diasporic cultures, including Spanish and African, in frontiers far away from the Northeast, which might be more sensitive to spatial and regional differences in an expanding United States."--Spencer Snow, Common-place
"This book challenges the very notion of 'American Literature'--what it is and how we date it--by daring not to assume 'that different national governments mean different national literatures.' It does so from a transatlantic perspective that, in Tennenhouse's hands, achieves a new maturity and power. In reconceiving American literature, The Importance of Feeling English also points the way to a new understanding of British literary history."--Clifford Siskin, New York University
"This book advances a bold and compelling new paradigm for understanding early American literature. Tennenhouse unsettles the long-standing premise that literature and culture are best understood within the framework of the nation; in so doing, he offers a fundamentally novel and revealing new account of early American literature."--Elizabeth Maddock Dillon, Yale University
"What is greatly satisfying about The Importance of Feeling English is that it is a book that knows what it wants to do, and does it with uncommon adroitness; it articulates its goals clearly and briskly and then carries out its agenda with dispatch."--Christopher Looby, Early American Literature
"[T]here can be no doubt that Tennenhouse is correct in insisting that the American Revolution did not produce a clean break in some Americans' Anglophilia and that he offers an interesting and provocative account of American literary origins that are bound to generate further discussion."--Ralph Bauer, American Literary History
"The Importance of Feeling English asks important questions not only about the literature of the early United States but also about the pliability of diaspora theory. . . . Tennenhouse's book offers an important rethinking of American literary history that opens new avenues of inquiry and enables us to see the early republic with new eyes. It fundamentally shifts the ground of the conversation in ways that will almost certainly lead to the emergence of new models for thinking about both the movements of peoples through space and time and the specific case of the United States."--Edward Larkin, Diaspora
"Tennenhouse argues persuasively that the severance of political ties between London and the thirteen colonies did not provoke a...division in the cultural sphere. Americans continued to think of themselves as culturally English for a long time. [Tennenhouse] casts this rich and fascinating book [as] a contribution to the study of American literature, but it has much to say about English literature of the period. It deserves to be widely read on both sides of the Atlantic."--John D. Baird, Times Literary Supplement
"Tennenhouse's book makes an important contribution to expanding the circumference of the subject."--Paul Giles, Modern Philology
"[T]he true genius of this book lies in its careful and elegantly parsed readings of generic shifts and accommodations."--Susan Scott Parrish, Eighteenth Century Studies
"[T]he importance of becoming English can scarcely be overestimated, and The Importance of Feeling English gives us a conceptual model for understanding and estimating that importance accurately."--Christopher Looby, Early American Literature
"In revisiting the landscape of early American literature, The Importance of Feeling English radically revises its features. Tennenhouse focuses on the concept of transatlantic circulation and shows how some of the first American authors applied their perspective to existing British literary models."--Times Higher Education
CHAPTER ONE: Diaspora and Empire 1
CHAPTER TWO: Writing English in America 19
CHAPTER THREE: The Sentimental Libertine 43
CHAPTER FOUR: The Heart of Masculinity 73
CHAPTER FIVE: The Gothic in Diaspora 94
AFTERWORD: From Cosmopolitanism to Hegemony 118
Notes 129
Index 153