New Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.
"[P]rovides a panoramic overview of the cinematic works of the contemporary generation of Arab filmmakers who have used cinema as a way of exploring their cultural memory, national identity, and political history. Armes concentrates in particular on those Arab filmmakers who were born in the 1960s and who made their breakthrough in the 2000s." ?Film Quarterly
"Roy Armes' scholarly productivity and original contributions to film studies continue without pause. Serves as a corrective and counter-reading of received views and stereotypic assumptions about the Arab world." ?Michael T. Martin, Indiana University Bloomington Introduction 1. Characteristics of the New Cinema 2. The Filmmakers 3. Documentary 4. Feature Filmmaking Notes
List of Abbreviations
The New Importance of Women Filmmakers
Questions of Identity
Training
Funding
A Cosmopolitan Generation
Palestine
Lebanon
Egypt and The Maghreb
Iraq
Syria
Algeria
Morocco
Tunisia
Egypt
Lebanon
Palestine
Iraq
Syria
The Gulf
Bibliography
Index