Jean Sibelius and His World (ebook)

Argumento de Jean Sibelius and His World (ebook)

Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition.

The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss.

Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman à clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death.

The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mäkelä, Sarah Menin, Max Paddison, and Timo Virtanen.

"The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World, from Princeton University Press."--Zachary Woolfe, New York Times

"Jean Sibelius and His World ends with English translations of a number of important primary documents. . . . Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries."--Carl Rafikonen, Notes

"As this collection shows, there is a resurgence of interest in the music of Jean Sibelius. . . . [T]he book is full of useful information."--Choice0Acknowledgments and Permissions vii
Sibelius, Finland, and the Idea of Landscape ix

PART I: ESSAYS
Sibelius and the Russian Traditions by PHILIP ROSS BULLOCK 3
From Heaven?s Floor to the Composer?s Desk: Sibelius?s Musical Manuscripts and Compositional Process by TIMO VIRTANEN 58
Theatrical Sibelius: The Melodramatic Lizard by JEFFREY KALLBERG 74
The Wings of a Butterfly: Sibelius and the Problems of Musical Modernity by TOMI MÄKELÄ 89
?Thor?s Hammer?: Sibelius and British Music Critics, 1905-1957 by BYRON ADAMS 125
Jean Sibelius and His American Connections by GLENDA DAWN GOSS 158
Art and the Ideology of Nature: Sibelius, Hamsun, Adorno by MAX PADDISON 173
Storms, Symphonies, Silence: Sibelius?s Tempest Music 186 and the Invention of Late Style by DANIEL M. GRIMLEY 186
Waving from the Periphery: Sibelius, Aalto, and the Finnish Pavilions SARAH MENIN 227
Old Masters: Jean Sibelius and Richard Strauss in the Twentieth Century by LEON BOTSTEIN

PART II: DOCUMENTS 256
Selections from Adolf Paul?s A Book About a Human Being 307
TRANSLATED BY ANNIKA LINDSKOG
INTRODUCED BY DANIEL M. GRIMLEY

Some Viewpoints Concerning Folk Music and Its Influence on the Musical Arts by JEAN SIBELIUS 315
TRANSLATED FROM THE SWEDISH BY MARGARETA MARTIN
INTRODUCED BY DANIEL M. GRIMLEY

Selection from Erik Furuhjelm?s Jean Sibelius: A Survey of His Life and Music 326
TRANSLATED BY MARGARETA MARTIN
INTRODUCED BY DANIEL M. GRIMLEY

Adorno on Sibelius 331
TRANSLATED BY SUSAN H. GILLESPIE
INTRODUCED BY DANIEL M. GRIMLEY

Monumentalizing Sibelius: Eila Hiltunen and the Sibelius Memorial Controversy 338
INTRODUCED AND TRANSLATED BY DANIEL M. GRIMLEY

Index 355
Notes on the Contributors 368